The Silhouette

Intangible Heritage Craft Points

Heritage textile details, finishing notes and limited-batch positioning for the luxury product template.

The ancient Suzhou intangible cultural heritage handmade Song brocade fabric is selected, and natural mulberry silk is mixed with sapphire blue, orange, and light purple plant-dyed silk to restore the symmetrical Ruyi treasure intertwining flower pattern of the silk road in the prosperous Tang Dynasty. It has a warm gold brocade base, symmetrical Ruyi treasures in the center, surrounded by branches and flowers, blue and orange contrasting colors, retro atmosphere, ancient hand-made jacquard to create an embossed fabric texture, silk thread layers are full and delicate, and the texture is far better than the cheap printed fabric shells on the market. The all-inclusive TPU soft shell is 1:1 accurately modeled on the real phone, and the lens ring is heightened to protect against bumps in all directions; the natural silk brocade surface is skin-friendly and breathable, oil-resistant and fingerprint-resistant, making it dry and non-sticky to hold in all seasons. The Ruyi pattern symbolizes happiness and everything goes well, the precious flowers symbolize complete wealth, peace and blessings, and the continuous branches represent long fortunes. The pattern comes from Tang brocade on the Silk Road. In ancient times, it was mostly used in palace dresses, wrappers for tribute vessels from the Western Regions, and aristocratic gift bags. It is for personal use to show elegance and elegance. Giving gifts means everything is satisfactory and wealth is complete.

Su Di Song brocade inherits the ancient folk weaving methods of Suzhou in the Ming and Qing Dynasties and traces back to the brocade weaving skills of the prosperous Tang Dynasty. This Ruyi Baoxiang flower pattern combines the Baoxiang flower pattern of the Central Plains and the entwining branch pattern of the Western Regions. It is a product of the Silk Road culture of the Tang Dynasty. After the opening of the Silk Road in the prosperous Tang Dynasty, flower patterns from the Western Regions were introduced to the Central Plains, and merged with Chinese Ruyi and Baoxiang patterns to form the classic Tang brocade style. From the Tang and Song Dynasties to the Ming and Qing Dynasties, Suzhou weaving continued to improve the color matching and weaving technology. The warm gold color scheme was the royal color of wealth, implying a house full of gold and jade. The craftsmen relied on the ancient brocade fragments preserved in Suzhou to restore the colors and patterns, adhering to the ancient method of Song brocade weaving. The entire brocade material has gone through more than 20 processes including silk reeling and dyeing, natural dyeing of vegetation, cross-stitching, and hand-thrown weaving on an old-fashioned wooden machine. The symmetrical pattern routing is cumbersome. The old-fashioned loom can only weave a few centimeters of fabric in a single day. The materials used for retro contrasting colors are exquisite, and the fabrics are scarce in mass production.